a load of pretentious, incomprehensible twaddle. sort of a cross between first-semester screenwriting and a meandering architectural travelogue as Frances walks the streets admiring the real estate, chain-smoking, and giving away her fortune to park-bench vagrants and other assorted freaks and wackos. accompanied by so many shots of uneaten meals that the end credits include a “culinary stylist.” It’s good to see Michelle Pfeiffer in movies, but not in this one.
我整个人看到最后是感动的故事是非常饱满情感经历了起伏转弯一个平凡而遵循职业道德的人一个把职业精神做到极致的人天天射综合比起保安这个满大街适用的职业更显尊贵华丽我看到了社会阶级地位、贫富差距在90年代在这部电影中可能都不是什么不可接受的事情让我想到中南海天天射综合是在模仿这部而女主的去世让我像看到瑞凡菲利克斯一样我看到了好多我爱的电影我重新认识了他们但他们却消失不见了最后farmer在一个会场依然做着平凡的天天射综合他还是一个普通人而耀眼的River和Whitney都消失在世界只留在了影像中他们是美丽的疯狂的i always love u